Swamplanders Revisited

The Scott Patrol at The Royal Albert Hall
When, in 1956, Gang Show maestro Ralph Reader brought together 2,000 members of the Scout and Guide Movements for his spectacular Royal Albert Hall production "Voyage of the Venturer", several of the 8th Lambeth's Scott Patrol couldn't wait to be involved. The following article appeared in the show's programme...
Voyage of the Venturer

An Appreciation by KEN JOHNSTONE

This is not " Boy Scout " nor is it an adaptation of " The Gang Show," though it is the creation of Ralph Reader whose work on a wide canvas of Youth has endeared him to the British Public.

It has been labelled a " Mammoth Musical Spectacle," and, unlike some Hollywoodisms, this description bears closer scrutiny. It is mammoth. (The Oxford Dictionary denotes mammoth as (i) a large extinct elephant and (ii) huge. Unquestionably we mean the latter.) For nearly two thousand performers is no mere concert party; it is, in fact, one of the largest productions ever staged at the Royal Albert Hall. When the " Voyage of the Venturer " was first produced here, just two years ago, one newspaper called it " a feast of colour and entertainment."

It is a musical spectacle. There are eight big song numbers, and, threading the story together, the engaging " Sail On, 0 Venturer". The medieval settings, including the magnificence of an Arabian Palace, bring a recurring splash of technicolour across this famous arena. There is action, song and movement — movement that is precise and professional yet gay and robust.

And the story is very simple, as old as the hills really, yet all the stronger for that. A continuous narration helps you to follow it, and, as your mind knits this in with the action down in the arena, your thoughts may be lured into all sorts of fleeting excursions. For the story deals with the basic values of Life itself.

It's an assignment fraught with snares to write about ideals — about good and fine things and Ralph admits that this script was tough to write. Yet he has this unfailing advantage. He can get hold of you by the lapels, and spellbind you in the sheer joy of watching a master craftsman at work. Small wonder that John Barber in the Daily Express wrote after the premiere in 1956, " The Venturer sails to triumph."

The story centres on a Wise Old King whose three fine sons present him with the problem of a successor. He hits on the idea of sending them on a voyage of adventure — to discover themselves as it were — and to prove to his own satisfaction which is worthy of the crown. So Prince Paul, Prince Galliad and Prince David set sail — and you'll feel almost sea-sick as you observe the good ship " Venturer," at anchor in the arena. There is a tremendous battle when pirates attack them later and set fire to it.

David, whose adventures now occupy most of the action, is captured, but a dark-skinned stowaway whom he had befriended earlier on the voyage, comes to his rescue in a fine piece of drama. The man who first wrote that bit about hearing the pin drop must somehow have seen a preview of this scene.

Disaster switches to triumph and David sails on renewed in his faith, fortified by his closer knowledge of Truth and Courage, and determined to use this knowledge in his adventure into the Unknown.

Home from the sea come the three Princes but not before we have shared with them some exciting moments. Home to face their father, the King. Which of them has triumphed most? All have ventured far but which of the three Princes has proved himself to be the finest man.

Is it Paul who proudly bears a beautiful crown richly studded with expensive diamonds, a treasure of beauty and wealth? Is it Galliad who brings a magnificent sword — a sword that has killed a host of foes, a powerful weapon denoting strength and determination? And what of David? What does he bring? He brings a deep and enduring spiritual faith. He has been tempered in the furnace of Life itself. We know full well because we have seen something of his struggle. We have seen him meet and master the challenge of Truth and Courage and, later, Tolerance. So it is David who triumphs.

Then in the majesty of the Coronation scene — amidst the splendour and pomp backed by the magnificent choir, we suddenly feel the full measure of its message. Each of us wants to win material success to do what Paul and Galliad have done — but inwardly we try, however sporadically, however badly, to be David. For David is you and me. As we leave tonight many of us will reflect just how we have fared thus far on our own intimate "Voyage of the Venturer."

And, finally, it is an inspiring thought, is it not, that the impetus behind all this hard work and team spirit in making this great show possible is directed upon those whose own voyage has barely begun.

(The above article appeared in the Programme for the 1957 performances of "Voyage of the Venturer".)

 
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